Arts
at
Henley
Music Technology: AS/A Level
‘Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid’ Frank Zappa
Music Technology AL (Edexcel Board) offers a range of exciting opportunities to learn about MIDI sequencing, sampling, studio recording and production, composing, and the history of pop and jazz.
The College has an extensive range of recording equipment, as well as eighteen music workstations with Sibelius 6 score writing software, Auralia and Musition, Cubase Studio 4 sequencing software, in addition to Reason and the Garritan Personal Orchestra and Jazz & Big Band. There is a recording studio with remote links to two ‘live’ rooms. It is equipped with an Allen & Heath Saber Mixing Desk and a range of effects units, compressors and sound modules, and professional quality microphones for most recording needs. There are also a number of Alesis multimix audio computer interfaces and multi-track, hard-disk recorders available.
Our facilities not only meet the requirements of the new specification, but provide additional resources with dedicated MIDI drum and guitar suites.
Areas of Study
Activities
Studios & Equipment
There are three areas of study:
1. The Principles and Practice of Music Technology: the MusicTechnology knowledge and skills that underpin the practical and written work.
The study and practice of MIDI sequencing, audio sequencing and recording, with the aim of producing ‘musical’ results: technology is the servant of the music, not an end in itself.
2. Popular Music Styles since 1910: jazz, pop and rock. Students will learn about the main musical and cultural characteristics of the major styles and trends of the past 100 years – from ragtime to electronica! An understanding of technological terms and concepts and relevant music theory and terminology is required (eg staff notation, keys and chord symbols).
3. The Development of Technology-based music: the development and influence of technology on music since 1910, including instruments involving technology, recording practice and related developments in contemporary art music.

For AS coursework, students will produce an audio CD, with a logbook, entitled ‘Music Technology Portfolio 1’, containing three tracks of work: a Sequenced Realised Performance (piece specified by Edexcel); a Multi-track Recording (piece of their own choice, 8-12 live tracks); and a Creative Sequenced Arrangement (choice of 2 stimuli and 2 possible styles prescribed by Edexcel). There is also a Listening & Analysing written exam, assessing knowledge of Study Areas 1 and 2 above.
At A2, the coursework audio CD ‘Music Technology Portfolio 2’ is to contain a Sequenced Integrated Performance (1 of 2 pieces specified by Edexcel, integrating live and MIDI tracks); a Multi-track Recording (1 recording topic from a choice of 2, 12-24 live tracks); and Composing using Music Technology (1 of 3 prescribed briefs). The Analysing & Producing written paper tests students’ musical understanding, their ability to manipulate and correct recorded music and their ability to write commentaries on technological processes. It includes a practical test involving the production of a balanced stereo mix.
A range of activities will be offered to students to take them through each area of study. They include:
MIDI sequencing
- Composition & Arranging
- Multi-track & stereo ambient recording
- Mastering and production
- Listening & analysis
- Planning and co-ordinating studio sessions
Music Technology Resources:

Music Room 6x Pentium IV computers running Sibelius 2 and Cubase VST Score & Interactive Whiteboard
Click here to see the recent equipment additions!
There are TWO Studios, each containing:

- Computer running Sibelius 4, Cubase VST Score and Halion
- Sibelius Musition & Auralia
- Cubase SL
- Reason
- Garritan Personal Orchestra
- 1x EMU Proteus
- 1x Zoom RFX 2000 Effects processor
- 1x Alesis Midiverb 4 Effects processor 1x Drawmer MX30
- Compressor
- 1x Tascam MD Recorder
- 1x Yamaha MD8
- 1x Proel Headphone Amp
- 1x Samson Servo Amp
- 1x JBL 4206 Monitor Speakers
- 2x AKG 1000S Condensor Mics
- 2x Sennheiser e835 Dynamic Mics
- 2x AKG D3700 Dynamic Mics
- 1x Rode NT1
- 1x Sennheiser e602 Bass Instrument Mic Set of Drum kit mics
- 2 Drum Kits
- Piano
- Mic stands, leads and patch bays
Other Equipment 
- 2x Electric Guitars
- 1x Bass Guitar
We also have a Practice Room with another PIII computer in.
2 additional workstations in D5 equipped with Sibelius 4 and Cubase SL Reason
Hardware:
- Roland TD12K MIDI Drum Kit
- Terratec AX100 MIDI Guitar interface
- Korg D1600 MkII Digital Recording Studio
- Genelec 8030A Near Field Monitors
- Acoustic panels
- Allen & Heath Saber Mixing Desk (36-24-24)
- 3 Yamaha YDP-113 Digital Pianos
- 3 Korg D1200 mkll digital portastudios
- 2 Marshall MG30DFX amps
- Delta 1010 audio interface
- E-mu Proteus 2500 sound module
- LXP-15 Proteus digital effects processor
- Lexicon reflex MIDI reverb
- HHB burnit CD recorder
- Symetrix 511A noise reducer
- 3x Fostex hard disk recorder (VF80EX), with
- CD-writer
Software:
- All Sibelius licences upgraded to version 4
- All Cubase licences upgraded to SL3
- Reason v.3 sequencer
- Proteus X sound cards with 4GB of sound banks
